One of the key figures responsible for the soundtrack at the Olympic breaking competition in Paris, starting at Place de la Concorde this Friday with the women’s event, is eager to address a longstanding debate that has emerged since breaking was added to the Paris Summer Olympics roster in late 2020.
Stephen Fleg, known as DJ Fleg from New York City, views breaking as an art form and a dance, rather than a sport. Alongside DJ Plash1 from Poland, Fleg will be providing the music for the Olympic breaking competition in Paris.
“While breaking definitely showcases remarkable athleticism, that doesn’t necessarily classify it as a sport,” Fleg explains. “The distinction is crucial to preserving its essence. If it’s reduced to pure athleticism, we risk losing key elements like creativity and personality, which aren’t typically emphasized in sports.”
Fleg adds that the results-driven aspect of sports can overshadow the artistic nature of dance. “Sports often focus on goals, like getting a ball in a hoop,” he says.
“I’m a fan of sports, but when breaking becomes solely goal-oriented, it detracts from the artistic expression that is fundamental to the dance. Breaking is a dance, and just like other dance forms, it stands apart from sports. It’s in a category of its own.
Fleg asserts, “The truth is that breaking would lose its essence if we reduced it solely to the moves. Moves alone don’t capture the full scope of the dance. While some might view this as an opinion, I believe it’s a fact.”
In the Olympics, the role of the breaking DJ is officially termed a “technical official,” but this title doesn’t fully capture their significance.
Unlike traditional technical officials who measure javelin throws or ensure swimmers adhere to their lanes, the breaking DJ plays a crucial, dynamic role. Unlike figure skaters who come prepared with choreographed routines, breakers face an element of unpredictability, as they don’t know what music the DJ will play.
DJs in breaking are akin to pitchers in baseball: they deliver the music, and it’s up to the athletes to respond with skill and creativity.
“Not to boast, but my role is unique—there’s nothing quite like it in the Olympics or major sports,” Fleg explains. “I’m not a passive observer waiting to judge; I play an active, pivotal role in shaping the dance experience.”
Fleg notes that none of the breakers have reached out to him with specific song requests. “They know better,” he says with a chuckle. “In fact, even in a regular competition, requesting songs is a surefire way for me not to play them. I strive to maintain impartiality.”
Fleg, 38, hails from the suburbs of Baltimore and began breaking at 13. With years of experience DJing at competitions and clubs, he also wears the hats of music producer and event organizer.
He promises a diverse range of beats for breaking. “Expect to hear African and Latin rhythms, along with some fun, psychedelic tracks,” Fleg says. “From James Brown to hip hop, it’s all about coming in with an open mind and enjoying the music.”
Fleg anticipates addressing some misconceptions. “Breaking often gets mocked,” he explains. “People think of it as just doing the worm. But this dance has evolved over 40 years, and many still don’t understand its depth. They’re about to see the incredible athleticism and genius of these dancers.”
Is he feeling nervous?
“People asking if I’m nervous makes me even more anxious,” admits Fleg. “But overall, I’m fine. I’m just focused on doing my job.”
When reminded this will be his first time DJing for a global audience, Fleg admits, “Yes, you’re adding to my nerves.”
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